Chorosynthesis Singers Roster
Marjorie Bunday, alto, is a recent arrival to Seattle, previously residing in Denver and Washington, DC. Her 25+ year career as both soloist and professional choral artist has included positions with St. Martin's Chamber Choir, Colorado Bach Ensemble, Santa Fe Desert Chorale, Washington Bach Consort, Opera Lafayette, and Woodley Ensemble. Her opera credits include the role of Noble Orphan 3 in Strauss's Der Rosenkavalier with National Symphony Orchestra at the Kennedy Center Concert Hall.
Her years in DC included recording projects, recitals, soloist appearances with regional ensembles, church music work; and she was a vibrant presence in DC and Colorado's early music scenes. In Colorado, she was soloist with Seicento Baroque Ensemble, Boulder Bach Festival, Boulder Chamber Orchestra, Colorado Bach Ensemble (Bach's alto cantata Vergnügte Ruh), Baroque Chamber Orchestra of Colorado, and Pro Musica Colorado Chamber Orchestra. She created and led the Denver Early Music Consort from 2012-2015. Critic Robin McNeil called her “not just a fine contralto...also a scholar of music,” and Sabine Kortals of the Denver Post praised her “honey-toned, refined reading” and “strong, soaring tone.”
In Washington, Bunday has performed with Bellevue City Opera Ballet as soloist and chorister in Handel's Messiah. In January, she joins the inaugural Dallas Choral Festival's alto section for a performance of Beethoven's Missa Solemnis. Marjorie has been fortunate to sing the works of many living composers in premiere performances and recordings of art songs, opera roles, choral works, and chamber music, and she is excited to carry that forward with Chorosynthesis.
Jessica M. Bush, coloratura soprano, is a licensed music educator in Indiana with a Bachelor of Arts in Music Education from Ball State University. Also a dedicated music liturgist, she currently is pursuing a Master of Sacred Music at the University of Notre Dame. There, she studies voice with Dr. Stephen Lancaster, sings with the Notre Dame Vocale, and co-conducts two groups in the Notre Dame Children’s Choir. She has a particular interest in the Renaissance, Baroque, and Classical periods, oratorio, and chamber music, and sings frequent recitals and chamber music performances. Jessica’s recent engagements include her Messiah solo debut with the Notre Dame Chorale; Cunegonde (cover) in Bernstein’s Candide with Notre Dame Opera; Angelo in Handel’s oratorio La Resurrezione; Mary Magdalene in Sing a New Song Unto the Lord, a modern oratorio by Howard Terrell debuted by the Fort Wayne Heartland Chamber Chorale; Nella in Puccini’s Gianni Schicchi with the Notre Dame Pocket Opera; and the soprano soloist in several choral masterworks by composers such as Haydn Schubert, and Vaughn Williams. She studied abroad and performed in Salzburg, Austria, and in May 2015 traveled to Rome to sing in concert at Santa Maria di Monserrato and at a Papal Pentecost Mass at Saint Peter’s Basilica. A composer herself, Jessica enjoys promoting the work of new composers, and she continues to make herself more well rounded by adding to the number of instruments she plays, which includes organ, piano, violin, mandolin, guitar, saxophone, and drums.
Baritone Elijah Blaisdell is earning a reputation as a dedicated, versatile, and sensitive artist, and is sought after as both a soloist and a chorister by ensembles around the country. Recent operatic highlights include the role of Schaunard in La Boheme with the Crested Butte Music Festival in Colorado and ensemble member with the new Ourboros Trilogy in Boston. A passionate advocate for new music, Elijah regularly works with new music ensembles, including The Crossing Choir, Genesis Chamber Singers, and Beth Morrison Projects, and has performed and recorded new works with Cappella Clausura, Comonwealth Chorale, Central Washington University, and Futura Productions. Elijah also collaborates frequently as a soloist with True Concord, St. Andrew’s Bach Society, Cambridge Concentus, Summit Chorale Society, and North End Music and Performing Arts Center. Additionally, Elijah performs with the Boston Lyric Opera, and Boston Youth Symphony Orchestra.
Elijah is a graduate of the New England Conservatory's Masters program in Opera, and is currently based in Boston. Originally from Seattle, Elijah holds a Bachelor’s degree in Vocal Performance from Central Washington University where he studied with Dr. Gayla Blaisdell. He currently studies with Carole Haber.
Mezzo-soprano Rachael Colman is so happy to join the Chorosynthesis Singers again this season. Quickly establishing herself as a sought-after soloist and chamber artist, her flexible voice and sensitive musicality have earned her roster positions with groups such as the GRAMMY®-nominated True Concord Voices & Orchestra, the Santa Fe Desert Chorale, the Handel & Haydn Society, and the Spire Chamber Ensemble. She is best known for her passionate performances of the works of Purcell, Bach, Handel, Mozart, and Rossini. She has been a featured soloist in Bach’s St. John Passion and Purcell's Dido & Aeneas (as Dido), both in collaboration with the Kansas City Baroque Consortium and the University of Missouri-Kansas City Conservatory Singers. Equally at home on the operatic stage, her roles have included Angelina (La Cenerentola), Nancy (Albert Herring), Meg (Little Women), the Baker’s Wife (Into the Woods), Zita (Gianni Schicchi), Prince Charming (Cendrillon), and Cherubino (Le nozze di Figaro), among others. In addition to her contributions to new works with Chorosynthesis, Rachael has participated in workshops with Steve Reich and John Corigliano, and has delved into the world of improvisational music as well - during her study at the OperaWorks program in Los Angeles she created the role of B.B. Worthington in a completely improvised three-act opera. She is a two-time winner of the Kansas City Musical Club voice competition, a Rose Award Winner in the Sigma Alpha Iota musical competition, and first-place winner in the MasterWorks Vocal Competition in Winona Lake, IN. She has been an artist with the Opera in the Ozarks, MasterWorks, and OperaWorks training programs, and holds degrees from the University of Missouri-Kansas City and Baylor University. She also freelances as a graphic designer, specializing in the needs of her fellow musicians. www.rachaelcolman.com
Mezzo soprano Erica Convery is very excited to join Chorosynthesis in its inaugural season. Audiences recently heard Ms. Convery as Cherubino in Carroll Opera Theatre’s production of Le nozze di Figaro and as Prince Orlofsky in Die Fledermaus with Berks Opera Workshop in which Susan Peña of the Reading Eagle described Convery as having “not only an exceptional voice, but is an intriguing presence in this travesti role.” Other recent roles include Dorothée in Bel Cantanti Opera’s Cendrillon, Lola in Cavalleria Rusticana with Maryland Lyric Opera and Der Komponist in Ariadne auf Naxos with The Singer's Theater of Washington. Ms. Convery also enjoys performing recital and concert works, most recently with the Harford Choral Society as the alto soloist in Mozart’s Regina Coeli and Vesperae solennes de confessore and as a recitalist with the Baltimore Musicale.
Miss Convery made her Carnegie Hall & Kennedy Center concert debuts while finishing her Master of Music degree at the Peabody Institute and was described as “breathtaking” by Stockton Record’s Lori Gilbert. Erica Convery received two consecutive scholarship grants from the Stockton Opera Competition, is a recipient of two consecutive Peabody Career Grants, winner of the George Castelle Memorial Award as well as a member of the elite music honor society of Pi Kappa Lambda. Ms. Convery currently resides in Lynnwood, Washington.
Megan Larson Gardner, soprano, is passionate about choral music and believes it to be the most sublime form of human expression. She grew up in Maradi, Niger, and Grande Prairie, Alberta, where she received Royal Conservatory training in voice and piano. At fourteen, she did an online search for “choir” and “college” and discovered Westminster Choir College, in Princeton, New Jersey. Seven years later she graduated from WCC with a B.A. in Music, having performed with the school's top ensembles in thirteen different states, and went on to sing professionally in New York at Marble Collegiate Church, Trinity Wall Street, and others.
Since moving to Washington, she has appeared with the Byrd Ensemble and Bellevue City Opera, and become a member of the Mägi Ensemble, whose recently released album Baltic Sounds features Megan as a soloist. Megan sang the role of Margjit in the Seattle Choral Company’s performance of Eivind Groven’s Margjit Hjukse, featured in concert and on King FM radio. She has also performed soprano solos for Poulenc’s Gloria with Eastern Washington University Symphonic Choir & Orchestra, Gabrieli’s In Ecclesiis with Spokane Symphony Chorale, and Handel’s Messiah with the Princeton Society of Musical Amateurs. Her opera experience includes Charpentier’s Louise, Debussy’s Pelléas et Mélisande, and Rihm’s Proserpina.
Besides the Western choral tradition, Megan also loves ethnomusicology, bringing people joy as a professional Christmas caroler, and, most of all, her husband Peter and daughter Kalena. She is excited about her first project with the talented members of Chorosynthesis!
Meaghan Guterman, soprano, is a newcomer to the Seattle area and is thrilled to join Chorosynthesis for their upcoming project. Prior to moving to Seattle, she resided in Milwaukee where she maintained a busy schedule teaching, serving as a section leader and cantor at the Basilica of St. Josaphat, tutoring b’nai mitzvah students, as well as performing with numerous ensembles including the Milwaukee Chamber Choir, Milwaukee Choral Artists, Collegium Ladyes, and Chicago’s Bella Voce. She was also a section leader for Congregation Shalom’s High Holiday choir for five years, a guest artist with the East Side Chamber Players, and an active performing member of the MacDowell Club of Milwaukee. Recent engagements included the solo quartet in Allegri’s Miserere Mei, and repertoire ranging from Schumann to Tesori. She also had the pleasure of playing Mrs. Nordstrom in A Little Night Music and Glinda/Aunt Em in The Wizard of Oz last season. Meaghan holds vocal performance degrees from the University of Iowa (BM) and the University of Wisconsin-Milwaukee (MM). She is currently a section leader at St. James Cathedral in Seattle.
Jeremy Holmes, tenor, recently graduated from Southern Illinois University with a Bachelor’s in Music Education. While he initially studied euphonium, he became interested in developing his skills as a choral singer and auditioned into the university’s premiere choral ensemble in 2011. Since graduating, he has performed with various university, community, and church ensembles throughout the Southern Illinois region.
This summer, he will return to the Southern Illinois Music Festival for his fourth season as a member of the opera chorus. During his time at SIU, Jeremy had the pleasure of collaborating with renowned composers and performers including Morten Lauridsen, Lucy Shelton, Evelyn Glennie, and The Thirteen Chamber Choir. He has also had the chance to perform in several venues throughout the Midwest, including the Carson Center, Hoogland Center for the Arts, and Orchestra Hall. In 2012, he participated in a collaborative three-week residency in Dublin, Ireland that culminated in an original theatre piece performed at Smock Alley Theatre.
He is looking forward to an incredible music-making opportunity with the Chorosynthesis Singers to promote artistry and social justice in song.
Jim Howeth, tenor feels very honored to be a member of the Chorosynthesis family. Years after early musical training as a horn player, he discovered a passion for choral singing, which he was finally able to start pursuing in 2004. Prior to moving to the Pacific Northwest in 2011, Jim lived in southern California, where he sang with a number of different choral groups in Los Angeles and Orange County as both a volunteer chorister and also as a hired professional. Currently, Jim is very active in the Seattle choral community, performing regularly with the Seattle Symphony Chorale, Seattle Pro Musica, and Vox16, a professional chamber choir affiliate of Byrd Ensemble. Additionally, he is a staff musician at University Unitarian Church in Seattle, serving as tenor section leader and soloist. Aside from singing, Jim’s other passion is being “the silliest dad ever” to two adorably terrible little boys.
Hailing from the rural mountains of Eastern Washington, Anthony James, tenor is an emerging artist in the field of opera. He attended Andrews University and the University of Washington, and has studied with teachers and coaches from around the world. He was a finalist for the prestigious Patrick G. and Shirley W. Ryan Opera Center program at the Lyric Opera of Chicago in 2012, a finalist for the university division of the Classical Singer Competition in 2013, and a reserve finalist in the Meistersinger Competition in 2013. Some of his favorite roles performed include Rodolfo in La Bohème, Frederick in Pirates of Penzance, Tamino in The Magic Flute, and Basilio in Le Nozze di Figaro. His recent choral engagements include The Withing Project, a theatrical collage by Hope Wechkin, The Messiah with Belleview City Opera Ballet, and The Messiah with Pacific Music Works, all in 2015. When not singing, Anthony is also a professional graphic designer and photographer, owner of Findae Photography and Design. He currently resides in Seattle, Washington.
Michael Jones, tenor, performs nationwide as a soloist and chamber musician. A Chicago native, he regularly sings with The Crossing, Music of the Baroque, William Ferris Chorale, Grant Park Opera Chorus, The Bridge Ensemble, Bella Voce and Chorosynthesis. Michael has recorded on Parma, Albany, World Library Publications (WLP), and GIA. He has performed on five Downbeat Award-winning recordings. Michael studied at the Cincinnati Conservatory of Music for his bachelors in jazz trumpet and Northwestern University’s Bienen School of Music for his masters in jazz trumpet.
Wendy K. Moy is currently the Director of Choral Activities at Connecticut College and the co-founder/co-artistic director of Chorosynthesis Singers. She was recently named a semi-finalist in conducting (professional choirs) of The American Prize for her work with Chorosynthesis Singers. Equally at home in the orchestral world, she has directed youth, amateur, and professional orchestras. A proponent of collaboration and new music, she was selected to be a conducting associate in the Carnegie Hall Choral Institute/Transient Glory Symposium. She has commissioned works for both orchestra and chorus and premiered solo soprano works, most recently by Eric Pazdziora. She also sings in the professional ensemble, CONCORA. Wendy has presented her research on the culture of thriving choral communities at numerous regional and national conferences. She is a contributor to the National Association For Music Education blog and is active as a guest conductor/clinician. Wendy holds a BA in Music Education from Seattle Pacific University, a MME from Westminster Choir College, and a DMA in Choral Conducting from the University of Washington. www.wendymoy.com
A charismatic and versatile musician, baritone & conductor Brian Mummert adapts easily to a wide variety of musical genres and eras. He has appeared as a soloist at the American Bach Soloists Festival, with the New York Pops at Carnegie Hall, and in the world premiere of Georgi Andreev’s A Melancholy Beauty at Avery Fisher Hall and the Kennedy Center, and has directed a variety of vocal ensembles in venues spanning six continents. Brian’s ensemble affiliations as a singer include the Yale Choral Artists, Santa Fe Desert Chorale, New York Choral Artists, and The Thirteen. He is the founder and musical director of The New Consort, a project-based, solo-voice ensemble dedicated to the juxtaposition of music from diverse composers and repertoires and winners of the 2015 American Prize in Chamber Music. Brian holds a B.A. in Music from Yale University, where he served as the musical director of the Whiffenpoofs, America’s oldest collegiate a cappella group, for their Centennial year, and an M.M. in Voice from the Peabody Institute, where he studied with William Sharp and received the George Castelle Memorial Award in Voice. He looks forward to further graduate work in conducting at Trinity College Cambridge this fall. www.brianmummert.com
Originally from Stillwater, 29 year old Minnesotan Tenor, Josh R. Pritchett, is quickly establishing himself as a versatile performer of both opera and concert repertoire. Chorally, Josh is a member with midwestern choruses, such as: The Strangers, Bella Voce, The Marion Consort, The Grant Park Chorus, Elgin Master Choral, Chicago Choral Artists, Vox Nova, and the Chicago Bach Project. Josh has recently collaborated with The Baroque Opera Workshop, in NY, performing the role of Egeo, in Cavalli's Il Giasone; and the Ensemble with Haymarket Opera co., Telleman’s Don Quichotte auf der Hochzeit des Comacho. Josh has performed worldwide for various concerts and operas: Paris, in Offenbach's La Belle Helene; Franz, in Le Conte d'Hoffman, and FE-NI-HAN, in BA-TA-CLAN. Josh was also a featured soloist for the Orvieto Musica festival in Orvieto Italy, and featured soloist for the World Peace Bell Ceremony in S. Korea. Josh received his Bachelor of Music at the University of Wisconsin River Falls, and went on to pursue his Master of Music in vocal performance at North Park University in Chicago IL. Being known for his acting background, and Leggiero ease, Josh has trained as both Character Tenor and Baroque concert soloist.
Tyler Ray, tenor, performs as a soloist and chamber musician throughout the United States. Upcoming solo engagements include Handel's Messiah with the Charleston Symphony, Handel's Messiah and Bach's St. Matthew Passion (evangelist) with the Messiah Festival of the Arts, Bach's BWV 182 & 211 with Mountainside Baroque, and Mozart's Requiem with the Yale Recital Chorus. Solo Highlights from last season include Haydn's Creation (Uriel) with the Yale Glee Club, Bach's BWV 10 conducted by Matthew Halls, Monteverdi's Vespers of 1610 and Arvo Pärt’s Passio conducted by David Hill, and Bach’s Christmas Oratorio and Stravinski’s Les noces with Yale Camerata. An avid chamber musician, Tyler regularly performs with several professional ensembles, including Santa Fe Desert Chorale, Seraphic Fire, The Thirteen, and Chorosynthesis. Tyler holds a B.A. in Music from Friends University and a M.M. in Voice at the Yale Institute of Sacred Music where he studied with renowned tenor, James Taylor.
Soprano Melinda Schlimmer, a native of the Seattle area, has been singing all her life. She got her start singing at home and in church choir, and was a regular at summer choir camps throughout high school. During her undergraduate coursework at the University of Washington, she studied voice privately with Tess Altiveros and John Eric Rutherford, as well as singing with the University Chorale. Upon graduation, she joined the prestigious, professional level Seattle ensemble, Choral Arts; most recently, she became a member of the newly formed Chorosynthesis Singers. Miss Schlimmer has performed for several dignitaries, including the President of the United States (2015) and the President of Latvia (2010); in addition, she has sung at numerous choral conventions (2010 and 2011 regional MENC conferences, University Chorale; 2015 National ACDA Convention, Choral Arts). With a warm, laser-like soprano tone, she specializes in early music and contemporary choral works. Singing premieres is one of her special joys, and she's thrilled to be pioneering so many great new works with Chorosynthesis! When she isn't singing, Melinda enjoys cycling, exploring the outdoors, and creating objects out of fabric.
Co-Artistic Director and Baritone Jeremiah Selvey currently serves as Visiting Director of Choral Activities at Connecticut College, where he directs Camel Heard and Chorale and teaches music theory for non-majors. He also runs a private voice studio with students all over the country. Jeremiah is regularly sought after to perform in oratorio roles, to teach voice master classes, and to guest conduct. He is a choral/vocal pedagogue of academic, community, and professional singers. Jeremiah’s compositions have been performed on four continents, and his research on choral expressivity has been presented in Asia, Europe, and throughout the United States. He is most recently published by The Choral Scholar and the Bulletin of the Council for Research in Music Education. Jeremiah grew up as a musician in Spain and the United States, and his career has followed an international path with performances throughout North America, New Zealand, Australia, and Europe. In his free time, Jeremiah sells health and wellness supplements, explores hiking and backpacking, and volunteers for Chorosynthesis. www.jselvey.com
Acclaimed for having a voice “perfectly suited to Baroque music” by KCMETROPOLIS, baritone Jared Swope has begun a blossoming career as an oratorio and choral singer. While balancing his undergraduate studies of music education and voice performance, he has performed regularly with the Trinity Chamber Artists (KC) and the Tennessee Chamber Chorus. Recently, he performed as bass soloist in Te Deum Antiqua’s presentation of Dietrich Buxtehude’s Membra Jesu nostri. In April 2015, Jared performed as a member of the Carnegie Hall Chamber Chorus alongside Peter Phillips’ Tallis Scholars in their sold-out ‘Spem In Alium’ Project. For the past two summers, he has participated in the Weimarer Bachkantaten Akademie, performing 6 cantatas of J.S. Bach under the baton of Helmuth Rilling throughout Germany. Jared recently earned his Bachelor’s of Music-Vocal Performance and Bachelor’s of Music Education degrees from Missouri State University in Springfield, MO.
Praised for his ringing voice and easy stage presence, Korland Simmons is quickly making a name for himself. He is a recent winner of the dell’Arte Opera Ensemble/Osgood Fest prize for achievement in multiple roles/operas. Recent engagements have included Concerts at One (Trinity Wall Street) and the Harvard Club of New York.
This past summer he made two new role debuts: Don Basilio (Le Nozze di Figaro) and Mendoza (Hiram Titus’ Rosina). In January, Korland performed as part of the first Freedom Concert, a benefit for the ACLU and in response to the killings of Eric Garner, Trayvon Martin, Michael Brown and countless others. This included performing with a small group of Freedom Concert singers live on the Melissa Harris-Perry show (MSNBC).
Korland’s previous operatic roles include Remus (Treemonisha), Remendado (Carmen), Eduardo Milfort (La Cambiale Matrimonio) and Mayor Upfold (Albert Herring). A frequent interpreter of new works, he premiered Shawn Jaeger’s The Generals, Richard Webster’s Empathy, and sang the role of Conrad in ThomasPasatieri’s The Goose Girl. As a teaching artist, Korland was also privileged to work with the Boston-based group Mssng Lnks in their efforts to broaden performance opportunities for disadvantaged youth.
His oratorio credits include the Mozart Requiem, Handel’s Messiah, and Bach’s Magnificat in D. Korland is a native of Little Rock, AR and holds a Bachelor of Arts in Music from Duke University. He continued his vocal studies at the University of Michigan under the tutelage of George Shirley. He currently studies with Neil Semer.
Tenor Gregorio Taniguchi is an alumnus of the Bob Cole Conservatory of Music at Cal State Long Beach. He has appeared in both summer and winter festival seasons with New Mexico’s Santa Fe Desert Chorale since 2010, and performs frequently in Southern California with groups including Pacific Chorale and the John Alexander Singers. He is inspired by music of the Baroque period, appearing with Horizon Music Group, Pacific Bach Project, and as a soloist and chorister in the Los Angeles Bach Festival.
Gregorio is a passionate educator, and is a credentialed K-12 music instructor in multiple school districts. He also provides coaching for individuals and choirs in vocal pedagogy and language diction training, especially in his first language, Portuguese.
Refusing to be one-dimensional, Gregorio freelances as a chef-for-hire, preparing bespoke menus focusing on quality seasonal ingredients and classic preparation techniques. He is also a Certified Yoga Instructor, having completed 200 hours of training in asana, yogic philosophy, and teaching techniques in the Hatha tradition.
Joshua Vander Plaats, bass, is known for his uniquely low range and dark timbre. A native of Sioux Center, Iowa, Joshua recently graduated with a degree in vocal performance from the University of Idaho, where he studied under Dr. Kyle Ferrill. In 2013 Joshua attended Sonoma Bach Festival's choral workshop, “Chanticleer in Sonoma,” where he worked directly with members of the Grammy-Award-winning ensemble. He has also received the honor of being selected as a finalist for Chanticleer.
Diane Walters, described as a “clear, beautifully colored soprano” by the Broad Street Review in Philadelphia is an active chamber artist and soloist based in Dayton, Ohio. She currently sings with Cincinnati’s Vocal Arts Ensemble under the direction of Craig Hella Johnson, the Berwick Chorus of the Oregon Bach Festival, and the Choir of St. Peter in Chains Cathedral. She has also sung with the Junge Stuttgarter Bach Ensemble of the International Bachakademie Stuttgart, Mendelssohn Club of Philadelphia, Cincinnati May Festival Chorus, Dallas Choral Festival, and Philadelphia Chamber Choir. As a soloist she has appeared with the Warminster Symphony, Network for New Music in Philadelphia, the Northern Kentucky Community Chorus, Tenth Presbyterian Church in Philadelphia, St. Mary Catholic Church in Dayton, Ohio, and the University of Texas Rio Grande Valley Master Chorale. Upcoming engagements include the premiere of Kile Smith’s Canticle at the Chorus America Conference in Cincinnati with Vocal Arts Ensemble, Elijah with the University of Texas Rio Grande Valley Master Chorale and will return to the Berwick Chorus of the Oregon Bach Festival. She received training as the Kathleen Life Corbett Apprentice with Berkshire Choral International and attended Temple University and Capital University.
Critics have praised Brenna Wells for her “angelic”, “soaring”, and “captivating” soprano voice. Her operatic roles include Galatea in Acis and Galatea, First Witch Purcell’s Dido and Aeneas, La Musique in Charpentier's Les Plaisirs de Versailles, and she was Première Nymphe de l’Acheron in the Boston Early Music Festival’s production and Grammy-nominated recording of Lully’s Psyché. Ms. Wells has sung and recorded with such acclaimed ensembles as the BEMF Orchestra, Blue Heron, Britten-Pears Baroque Orchestra, Boston Baroque, Opera Boston, L’Académie, and the Handel and Haydn Society. She has appeared in many festivals world-wide including the London Handel Festival, Aldeburgh Festival, Amherst Early Music Festival, BBC Proms, and in both 2008 and 2009, she was selected to perform in the Early Music Seminars at the Fondazione Giorgio Cini in Venice, Italy. In 2013, she had the unexpected dream debut of singing back up vocals on "You Can't Always Get What You Want" with the Rolling Stones on their 50th Anniversary Tour. Recent season highlights include solo appearances with the Handel and Haydn Society, Boston Baroque, Collage New Music, Connecticut Early Music Festival, Boston Baroque, Ensemble viii, Lorelei, Yale Choral Artists, Boston Modern Orchestra Project, The Metropolitan Chorale, Boston Early Music Festival, and Emmanuel Music as their Lorraine Hunt Lieberson Fellow. This season includes performances with Seraphic Fire, Handel and Haydn Society, Ensemble Viii, The Samammish Symphony, Early Music Underground, and the Vermont Symphony Orchestra, among others.